Albert Pinkham Ryder
1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.

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Albert Pinkham Ryder The Flying Dutchman (mk19) oil painting


The Flying Dutchman (mk19)
c 1887 Oil on canvas,36.1 x 43.8 cm National Museum of American Art,Washington (DC)
Painting ID::  22298
Albert Pinkham Ryder
The Flying Dutchman (mk19)
c 1887 Oil on canvas,36.1 x 43.8 cm National Museum of American Art,Washington (DC)
   
   
     

Albert Pinkham Ryder Moon-light Marine (mk43) oil painting


Moon-light Marine (mk43)
Probably 1870sor 1880s, The Metropolitan Museum of Art,New York
Painting ID::  25713
Albert Pinkham Ryder
Moon-light Marine (mk43)
Probably 1870sor 1880s, The Metropolitan Museum of Art,New York
   
   
     

Albert Pinkham Ryder Toilers of the Sea oil painting


Toilers of the Sea
c 1880-5 oil on wood 29.2 x 39.5cm (11 1/2 x 12in) Metropolitan Museum of Art New York (mk63)
Painting ID::  27987
Albert Pinkham Ryder
Toilers of the Sea
c 1880-5 oil on wood 29.2 x 39.5cm (11 1/2 x 12in) Metropolitan Museum of Art New York (mk63)
   
   
     

Albert Pinkham Ryder The Race Track oil painting


The Race Track
mk77 c.1886-1908 27 3/4x35 1/2in
Painting ID::  32010
Albert Pinkham Ryder
The Race Track
mk77 c.1886-1908 27 3/4x35 1/2in
   
   
     

Albert Pinkham Ryder The Waste of Waters is Their Field oil painting


The Waste of Waters is Their Field
mk140 early 1880 Oil on canvas 28.8x30.5cm
Painting ID::  39086
Albert Pinkham Ryder
The Waste of Waters is Their Field
mk140 early 1880 Oil on canvas 28.8x30.5cm
   
   
     

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     Albert Pinkham Ryder
     1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.

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